Thursday, November 29, 2007

Edward Vesala: Lumi :: 1987 :: ECM 1339


Edward Vesala: Lumi :: 1987 :: ECM 1339
FLAC Up 1.000k > 245 Mb | MP3 320k > 110 Mb
Jazz | Playtime 44:46 | Artwork

Born Martii Juhani Vesala, the percussionist changed his name early in his musical career. Vesala studied music theory and orchestral percussion at the Sibelius Academy in Helsinki from 1965-7. He played with such musicians as Eero Koivistionen and Seppo Paakkunainen during the mid-to-late '60s. In 1972 he recorded Triptykon for ECM with saxophonist Jan Garbarek and bassist Arild Andersen. It would be the first of many albums Vesala would make for the German label. His long association with ECM would help establish Vesala's reputation as a world class free jazz percussionist. During the '70s Vesala played with such free jazz and experimentally-inclined musicians as Peter Brotzmann, Charlie Mariano, and Terje Rypdal. Early '70s collaborations with such Finnish musicians as Koivistionen, Juhani Aaltonen, and Pekka Sarmanto had a strong impact on the Finnish free jazz scene. Vesala's quartet with Polish trumpeter Tomasz Stanko recorded several times from 1974-8, including most notably Nan Madol, his first album as a leader for ECM. In 1978 Vesala formed his own record label, Leo (not to be confused with the British label of the same name headed by Leo Feigin), which released albums by European free jazz musicians (including Stanko) and Americans like Frank Foster and Charlie Mariano. In 1980 Vesala and Stanko recorded Heavy Life, which featured the American musicians Reggie Workman on bass, J.D. Parran on saxophone, and Bob Stewart on tuba. In the early '80s Vesala conducted music workshops called Sound & Fury. In 1984 he chose the best of his students and formed a group of the same name. Sound & Fury would record four albums for ECM. Vesala's 1990 album, Ode to the Death of Jazz, was a statement in opposition to the conservative forces that had some to dominate the music. He continued to perform with Sound & Fury during the '90s. He also composed for the Helsinki Philharmonic and other large ensembles. Vesala was probably the most famous of all Finnish jazz musicians. Yet by the end of his life, his music defied all categorization, fusing various ethnic idioms, classical elements, rock, microtonality, and Finnish folk music. Vesala died of heart failure in his home outside Helsinki in 1999.

Esko Heikkinen trumpet, piccolo trumpet
Pentti Lahti alto and baritone saxophones, flutes
Jorma Tapio alto saxophone, clarinet, bass clarinet, flute
Tapani Rinne tenor, soprano saxophones, clarinets
Kari Heinilä tenor, soprano saxophone, flute
Tom Bildo trombone, tuba
Iro Haarla piano, harp
Raoul Björkenheim guitar
Taito Vainio accordion
Häkä bass
Edward Vesala drums, percussion

The Wind
Frozen Melody
Calypso Bulbosa
Third Moon
Lumi
Camel Walk
Fingo
Early Messenger
Together


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