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01. Avalou
02. Missan Bailar
03. Sehui
04. Afrique Verte
05. Le Messie
06. Ye!
07. Iwonikan
08. Que Je T'aime
09. Los Casados
10. Salsa Medley
11. Assouka
12. Pas Un Voyou

01. Ca Passe
02. Dit Lopa
03. Sang Bleu Aziza
04. Flo
05. Mutchezo
06. Diplomatie
07. Transit
08. Kuloko

The groove will definitely move you here -- as the set's an incredible batch of modern deep funk numbers, all hand-picked for the mighty Freestyle label! The 20 track package is like finding DJ case stuffed with some of the best 45s around -- all underground nuggets from labels like Daptone, One Note, RD, Tru Thoughts, and more. There's plenty of James Brown influences running through most of the tracks here -- hard drums, tight rhythms, searing horn work, and hard soul vocals galore.

Tracklist:


01. Apples - Attention
02. Bamboos & Alice Russell - Step it Up
03. Boogaloo Investigators - Let's Work a While
04. Breakestra - Got to Let Me Know
05. Budos Band - Budos Theme
06. Clarence Foster & the Internal - Fry Chicken in your Hotpants
07. Cookin' on 3 Burners - Cressy St Breakdown
08. Kashmere Stage Band - Superstrut
09. Limp Twins - Another Day in the Life of Mr Jones
10. Marva Whitney - Am What I Am
11. Naomi Davis - Wind your Clock
12. Natural Self & Alice Russell - Don't Need this Trouble
13. New Mastersounds - Give Me a Minute
14. Orasio Garcia & Young Musicians Aware - Outer Space
15. Poets of Rhythm - More Mess on my Thing
16. Quantic Soul Orchestra & Alice Russell - Pushin on
17. Quartertones - Caffeine
18. Sharon Jones & the Dap-Kings - Genuine
19. Soul Snatchers - Get Yourself Together
20. Speedometer - The Speakeasy

MARIAN MIKA, PIANO


1. MAZURKA NO.43 "NOTRE TEMPS" - ALLEGRETTO 4'05

MAZURKAS OP. POSTH. 67

2. NO.44 OP.67 NO.1 - VIVACE 1'24
3. NO.45 OP.67 NO.2 - CANTABILE 2'08
4. NO.46 OP.67 NO.3 - ALLEGRETTO 1'55
5. NO.47 OP.67 NO.4 - MODERATO ANIMATO 3'07

MAZURKAS OP. PS. 68

6. NO.48 OP.68 NO.1 - VIVACE 1'58
7. NO.49 OP.68 NO.2 - LENTO 3'00
8. NO.50 OP.68 NO.3 - ALLEGRO MA NON TROPPO 1'40
9. NO.51 OP.68 NO.4 - ANDANTINO 2'06
10. MAZURKA NO.52 - CON ANIMA 1'25
11. MAZURKA NO.53 - ALLEGRO NON TROPPO 1'39
12. MAZURKA NO.54 - ALLEGRO NON TROPPO 1'40
13. MAZURKA NO.55 - ALLEGRO NON TROPPO 1'49
14. MAZURKA NO.56 - ALLEGRETTO 1'16
15. MAZURKA NO.57 - VIVACE 3'46
16. MAZURKA NO.58 - [POCO MOSSO] 2'36
17. VALSE À M.LLE ELISE GAVARD OP.PS. 70/2 (ORIGINAL VERSION) 1'54
18. VALSE OP.PS. 70/2 (AFTER POSTUMOUS VERSION J.FONTANA) 3'01
19. MARCHE FUNÉBRE OP.72/2 (AFTER POSTUMOUS VERSION J.FONTANA) 5'48
20. MARCHE FUNÉBRE OP.72/2 (AFTER OXFORD EDITION) 6'05
21. CANTABILE (ANDANTINO) 1'10
22. PRÉLUDE - A MON AMI P.WOLFF (PARIS 10 JUILLET 1834) BROWN 86 -PRESTO CON LEGGIEREZZA 1'14

MINUTAGE TOTAL: 57'42

Enregistré: Preganziol (Italy) - 9/2006

TRACK LIST
[01] Sofa Surfer Girl
[02] Medicine Tree
[03] Let's Stay In Instead
[04] Next World
[05] Ballad On Plain E
[06] Opiate
[07] Pop Tart Girl
[08] Tea With Shandra
[09] Time For A Change
[10] Legion Hall

Influencias: Beatles, Hollies, etc...

Old, New, Borrowed and Blue is the fourth studio album by the British glam/hard rock group Slade. It was released on February 15, 1974, and reached No. 1 on the UK charts. The album would be released in the USA on the Warner Bros. label, under the title Stomp Your Hands, Clap Your Feet, minus the tracks "My Town" and "My Friend Stan."

The single, "Everyday" was their first not to have the standard 'Slade' sound on it, which is probably why it failed to get higher than #3 on the UK singles chart. The previous single to this was 'Merry Xmas Everybody', which was to be their final #1 hit single, although 1983's "My Oh My" would later reach the #2 spot.

Track listing

1. "Just a Little Bit" (Thornton/Bass/Washington/Brown/Thompson)
2. "When the Lights are Out"(Holder/Lea)
3. "My Town" (Holder/Lea)
4. "Find Yourself a Rainbow" (Holder/Lea)
5. "Miles Out to Sea" (Holder/Lea)
6. "We're Really Gonna Raise the Roof" (Holder/Lea)
7. "Do We Still Do It" (Holder/Lea)
8. "How Can It Be" (Holder/Lea)
9. "Don't Blame Me" (Holder/Lea)
10. "My Friend Stan" (Holder/Lea) UK #2
11. "Everyday" (Holder/Lea) UK #3
12. "Good Time Gals" (Holder/Lea)


http://rapidshare.com/files/56407929/Sld_-_O_N_B_B1974.rar

Hit compilation from one of the most influential female R'n'B combos of all time, TLC. Arguably the first group to mix modern urban music with pop music, the band enjoyed great success in the nineties, notching up hit after hit, all of which are included on this release. Includes the hits 'Waterfalls', 'Red Light Special' and 'Creep'.

Tracklist:

01. No Scrubs
02. Waterfalls
03. Creep
04. Red Light Special
05. Diggin' On You
06. Baby Baby Baby
07. Come Get Some - TLC & Lil' Jon/Sean Paul
08. Girl Talk
09. Damaged
10. Whoop De Woo
11. In Your Arms Tonight
12. Get It Up
13. What About Your Friends
14. Ain't 2 Proud 2 Beg
15. Unpretty

Tracklist:

01 - Shang Shang Typhoon - Moon Boat
02 - Emme - Dokokade Yoruga Naita
03 - Yoshida Brothers - Kokoro Ni Dakarete
04 - Zulya - Cradle Song
05 - Aiko Shimada and Elizabeth Fal - Aka Tonbo
06 - Takashi Hirayasu With Chuei Yo - Asadoya Yunta
07 - Kelsang Chukie Tethong - Om Ma Nye Bhe Mae Hum
08 - Ali Akbar Khan - Lullaby
09 - Lei Qiang - Lullaby
10 - Rikki - Amami No Komori Uta

Cduniverse.com:
Whenever an old pop, rock or blues artist is joined by an all-star cast of guest musicians, it's usually to safe assume that the artist in question is pretty much a spent force. Fortunately, that is not the case with this wonderful 1991 album by blues legend John Lee Hooker. Even though the guest list includes Albert Collins, Robert Cray, Van Morrison, Nick Lowe, Keith Richards and Carlos Santana, Hooker is the driving force on this album from start to finish.

With his voice stronger and more assured than ever and his guitar playing right on the money, MR. LUCKY is arguably the best of Hooker's latter-day recordings. Even though Nick Lowe and Jim Keltner provide a serious groove on "This Is Hip" and Van Morrison and Hooker ooze bluesy soul on "I Cover The Waterfront," Hooker shows that he can deliver the goods without his all-star supporting cast on the down-and-dirty boogie of the opening track "I Want To Hug You" and the stark acoustic blues of "Highway 13."

Personnel includes: John Lee Hooker, Van Morrison (vocals, guitar); Willie Green, Bobby King, Terry Evans (vocals); Keith Richards, Carlos Santana, Ry Cooder, Johnny Winter, Albert Collins (guitar); John Hammond (slide guitar, harmonica); Ken Baker (saxophone); Booker T. Jones, Deacon Jones (organ); Johnnie Johnson (piano); Chester Thompson (keyboards); Nick Lowe, Maurice Cirdlin, Jeffrey Ganz, Larry Taylor (bass); Jim Keltner, Bowen Brown, Tom Compton, Gaylord Birch (drums); Karl Perazzo (timbales); Raul Rekow (congas).

The Robert Cray Band: Robert Cray (vocals, guitar); Tim Kaihatsu (guitar); Jimmy Pugh (keyboards); Richard Cousins (bass); Kevin Hayes (drums).

Primarily recorded at Russian Hill Recording Studios, San Francisco, California.

MR. LUCKY is dedicated to the memory of Stevie Ray Vaughan.

From Grove Press Guide to Blues on CD
John Lee, he of the mojo hand and wearing voice, says, 'Bad luck can't do me no harm." Certainly not with attendants named Robert Cray, Albert Collins, John Hammond, Van Morrison, Keith Richards, Carlos Santana, Johnny Winter, and Ry Cooder on hand to make him feel better. The highlight is "I Cover the Waterfront," wherein true believers Hooker and Morrison go deep into the mystic.

Rolling Stone (10/3/91) - 3.5 Stars - Very Good "...really rips on the ripe, low-down blues..."
Q (10/91) - 4 Stars - Excellent "...a sapphire of an album...as fine and funky as anything he's cut in the last 40-odd years..."
Mojo (10/01, p.169) - "...For sheer good-humored whomp, the best of Hooker's 4 '90s 'comeback' albums..."

Tracks:
1. I Want To Hug You
2. Mr Lucky
3. Backstabbers
4. This is Hip
5. I Cover The Waterfront
6. Highway 13
7. Stripped Me Naked
8. Susie
9. Crawlin' Kingsnake
10.Father Was A Jockey

Since this great old mono recording went out of copyright, there were many reissues in different minor labels. This one is possibly the best with a great presentation, including a finely illustrated booklet, which has been scanned and offered along with the covers and the 2 CD images.



Links: File 1 - File 2 - File 3

Allmusic.com:
Pakistan's qawwali maestro, Ustad Nusrat Fateh Ali Khan, passed away from complications due to chronic diabetes in August of 1997. Earlier that year, Ali Khan signed a contract with Rick Rubin's American Recordings and entered the studio, completing in July what would be his final album. This double CD represents the complete "finished" recordings of Ali Khan. There may be outtakes, there may be alternate takes, and so on, but given the unbelievably shoddy nature of the package -- inexcusable given an artist of this stature -- totally devoid of liner notes with the exception of credits (no session details, like dates, circumstances, etc.), it is likely we'll never know. Perhaps the best thing we can say about Rick Rubin's production on this set is that there isn't any, apart from engineer and recordist David Schiffman. The engineering is wonderful, every nuance of Nusrat and his company are picked up with stunning clarity and depth -- including physical placement of bodies, voices, and instruments. From the session photographs, everything was set according to performance standards with rugs ordered all through the room and everyone seated there as well.

Judging only from the photos of Ali Khan, he wasn't well, but photographs can be deceiving. Musically, however, this is easily the finest studio recording Ali Khan ever issued. His range is wider than ever, and his command of musical ideas, tempo, and vocal improvisation is tremendous. The "party" as his backing musicians were called, was in fine, relaxed form -- not always the case on his studio sessions -- with nephews Rahat and Farroukh as his side singers and Rahat Ali on harmonium and Dildair Hussein on tabla, with a chorus (or choir) backing the three principal singers. The songs themselves are from antiquity, from Rumi to poets and composers from the qawwali lineage who have long since passed into the ether of history. No matter. Ali Khan uses the frameworks of these poems and songs to carry them into a long, unbroken chain of passionate prayer, ecstatic contemplation, and whirling intensity as is common among the Sufi sect of Islam dating from the time of the Sahra singers some 700 years ago.

Eight selections over two discs covering over two hours may seem like a short program (especially given the availability of a five-hour Paris concert), but it is one of intensity -- raw, direct, and full of sacred energy. Only the responsorial singing of the choir and the droning repetition of the harmonium hold the cascading tones of Ali Khan's improvisations to the earth. Hussein's tabla, both of the side singers and Nusrat, head for the space beyond space in a moving, soul-stirring performance that, in spite of the exotic nature of its foreignness to most American ears, is on a level with the very finest in the gospel tradition for its purity, rousing choruses, and heart- rending emotion. The qawwali singing that Nusrat brought to the world, with its percussive vocal stylings, soaring heights, and cavernous passions for union with the Divine are well served by his final sessions, and they make an excellent introduction sonically -- remember the package basically sucks in terms of information -- to Nusrat's immeasurable transcultural contribution to the musical arts. They are virtually indispensable to fans of the late master's work. Stunning. ~ Thom Jurek

Performers:
Nusrat Fateh Ali Khan Arranger, Main Performer, Vocals
Dildar Hussain Tabla
Farrukh Fateh Ali Khan Vocals (Background)
Rahat Fateh Ali Khan Vocals (Background)
Rahmat Ali Harmonium

Tracks:
1 Too Kareemi Man Kamina Barda Am (You Are the Gracious, I Am the ...) (15:29)
2 Manam Mahway Khiyal-I-Oo ( I Am Absorbed in My Thoughts of You) (15:22)
3 Teray Warian Main Saeeyan (I Am Going to Be a Sacrifice for You) (15:06)
4 Bhanwain Toon Jan Na Jan (It Is Up to You Whether You Recognize Me ...) (18:03)

5 (CD 2) Khaja Mueen-Ud-Din (Master Mueen-Ud-Din) (17:33)
6 (CD 2) Daikhnay Ko Ya Mohammed (There Is No Other Like Mohammed) (16:59)
7 (CD 2) Rakh Baba (Baba, Protect Us) (15:48)
8 (CD 2) Pooja Karoonga Teri Yar (I Will Worship You My Friend) (14:17)

UK compilation featuring 20 soul, funk and jazz classics from the legendary underground label best known for their acts, the Fatback Band and Black Ivory who are both represented here along with Dizzy Gillespie, Bobby Rydell and many more. Original vinyl from Perception and it's twin label today goes for a small fortune and has been sampled by DJ Shadow and KRS-One.

Tracklist:

01. Goin' To See My Baby - Fatback Band
02. Matrix - Dizzy Gillespie
03. Get Some Of This - Madhouse
04. A Possibility (Back Home) - Wanda Robinson
05. Naturally Good - Bartel
06. Rock Steady - Julius Brockington
07. Heritage Hum - James Moody
08. Alive - Larry Young
09. Surrender - Black Ivory
10. Brother (Title) - Adam Wade & Johnny Pate
11. Conseqences Of A Drug Addict Role - Shirley Horn
12. Fatbackin' - Fatback Band
13. I Can't Get No Higher - The Eight Minutes
14. Summer In The City - Bartel
15. I Just Got To Know - The Brockingtons
16. Stop Me - Benny Johnson
17. Too Sad To Tell - Debbie Taylor
18. Life, Love & Peace - The Exciters
19. Alligator - Dizzy Gillespie
20. Honeybuns - Bobby Rydell